Sunday, June 29, 2014

Summer in Jackson Hole

Buffalo in the Grand Tetons
Sony A7r FE 24-70 (70mm)
f/11 1/200 ISO 50 (handheld)

Buffalo in the Grand Tetons
Sony A7r (IR) FE 70-200 (200mm)
f/8 1/125 ISO 250 (830nm, handheld)

Pelican Creek, Yellowstone
Sony A7r (IR) FE 70-200 (200mm)
f/4.5 1/200 ISO 50 (720nm, handheld)

Lower Schabacher
Sony A7r (IR) FE 24-70 (29mm)
f/7.1 1/125 ISO 50 (handheld)

Lower Schabacher
Sony A7r (IR) FE 24-70 (24mm)
f/7.1 1/125 ISO 50 (Handheld)

Last year was the first time we had spent anytime in Jackson Hole in the summer and we decided to return for a much longer visit this year, we're currently entering our third week.  Arriving mid June we've encountered snow, sleet, rain, hail, fog, wind, and beautiful blue cloudy skies.

Modern Butch Cassidy
Sony A7r FE 70-200 (93mm)
f/8 1/125 ISO 100 (handheld)

Grand Tetons
Sony A7r FE 70-200 (70mm)
f/11 1/125 ISO 100 (handheld)

Bar B C Ranch
Sony A7r FE 24-70 (24mm)
f/4 1/200 ISO 50 (handheld)

Horse Corral Bar B C Ranch
Sony A7r (IR) FE 24-70 (24mm)
f/7.1 1/160 ISO 50 (720nm, handheld)

Old Boot Elk Ranch
Sony A7r FE 24-70 (36mm)
f/8 1/200 ISO 50 (handheld)
 
We hadn't captured the area in infrared as much as we've done this trip using a variety of IR filters such as 665, 720, and 830nm (read previous posts for more information on IR work).  We've been using the new Sony A7r with both a FE 24-70 and 70-200 lens in color and IR and are very impressed with the results.  Medium format gear has been used as well with the Phase One 60 megapixel IQ160 digital back being switched between a Phase One DF 645 camera and a Cambo WRS technical camera.
 
A little behind the scenes of what it took to capture wildflowers with the technical camera.  This is the setup Don used comprising of a Really Right Stuff tripod, Arca Swiss Cube head, Cambo WRS, Phase One IQ160 and a Rodenstock 40mm lens tethered to a Microsoft Surface Pro 2 running Capture One.
 

 
All that to capture this...


In the short time we've been here we've explored in and around the Jackson Hole area as well as venturing as far north as Gardiner MT and the northern reaches of Yellowstone National Park and east to Cody WY and eastern Yellowstone.
 
Moose slightly cropped shot over 1/4 mile
Sony A7r FE 70-200 (200mm)
f/4.5 1/125 ISO 100 (handheld)

Same moose just further out (cropped)
Phase One DF/IQ 160 240LS lens with 2x
f/9 1/200 ISO 400 (tripod)

Bear in IR (720nm)
Sony A7r (IR) FE 70-200 (200mm)
f/5 1/200 ISO 50 (handheld quick shot)

Same bear another quick shot
Sony A7r FE 70-200 (200mm)
f/8 1/125 ISO 50 (handheld)

Lupine Meadow Bear
Sony A7r FE 70-200 (200mm)
f/5 1/200 ISO 50 (handheld slightly cropped)
 
Don also tried his hand at "smoking water" at Eleanor Falls, eastern Yellowstone in both 830 and 720nm IR.
 
830nm
FE 70-200 (200)
f/22 0.4 second ISO 50 (tripod)

720nm
FE 70-200 (200)
f/22 1/6 ISO 50 (tripod)
 
We normally spend the fall and early winter in the Jackson Hole area with this being the first of many more summer visits.  While the crowds are larger, we tend to visit the more remote areas and haven't been affected as much.  We've been fortunate to capture beautiful landscape and see and in most cases capture bear, buffalo and other wildlife; summer is also the time for wildflowers.
 
Sony A7r FE 24-70 (59mm)
f/11 1/200 ISO 50 (handheld)

 Sony A7r FE 24-70 (70mm)
f/6.3 1/80 ISO 50 (handheld, cropped)

Find the bee
Sony A7r FE 24-70 (70mm)
f/8 1/200 ISO 50 (handheld, cropped)

Phase One DF/IQ160
Mamiya 120mm f/5.6 1/100 ISO 50
Full Frame - tripod

Sony A7r (IR) FE 24-70 (41mm) 720nm
f/8 1/160 ISO 50 (handheld)

Just a weed
Phase One DF/IQ160
Mamiya 120mm f/5.6 1/100 ISO 50
Full Frame - handheld
 
Sony A7r FE 24-70 (70mm)
f/6.3 1/80 ISO 50 (handheld, slight crop)

Sony A7r FE 70-200 (102mm)
f/8 1/250 ISO 1250 (handheld 100% crop)
 
A parting shot taken in Lupine Meadow, Grand Teton National Park.  Phase One DF/IQ160, Schneider 240LS and Schneider 2x on tripod.  F/9 1/100 ISO 400 slightly cropped.
 
 
As always, thanks for allowing us to share; and please remember your comments are always welcome. 
 
Sandy & Don

 

 
 
 

Thursday, June 19, 2014

Jackson Hole WY in Infrared

 "Feedbag"
Sony FE 70-200 (183mm) 665nm
f/4.5 1/80 ISO 125

"The Herd"
Sony FE 70-200 (200mm) 665nm
f/8 1/125 ISO 100
 
We've in Jackson Hole for a week and have had great conditions for infrared work.  As previously noted, we had a Sony A7r converted to shoot infrared fulltime by Lifepixel Infrared (click the link on the right for more infrared conversion information).  The camera has been converted to shoot in 665nm, better known as "enhanced color".  By adding a 720nm filter we can also capture "standard color infrared" or use a 830nm filter to capture "deep black and white infrared".  Both the 720 and 830 filters simply attach to the front of the lens giving us 3-seperate choices in capturing infrared.

"Dry Skin"
Sony FE 70-200 (200mm) 665nm
f/8 1/200 ISO 125 (cropped)

"Jenny Lake Trail"
Sony FE 24-70 (25mm) 665nm
f/5.6 1/200 ISO 80
The majority of our infrared work is captured handheld.  We had excellent results using the new FE 35 and 55mm lens however we wanted to opt for a single lens that offered both focal lengths and went with the newer FE 24-70.  Later on we also added the new Sony FE 70-200 which works equally well.
 
"Shane's Cabin"
Sony FE 24-70 (24mm) 665nm
f/8 1/160 ISO 100

"Tetons" 3-shot pano
Sony FE 24-70 (70mm) 830nm
f/8 1/160 ISO 200
 
All the sample images included here were captured this past week in the Jackson Hole area using a combination of the 24-70 and 70-200 lenses; all were shot handheld using a combination of the base 665nm and 830nm filters.
 
"Aspens"
FE 70-200 (200mm) 665nm
f/8 1/100 ISO 50

"John Moulton Barn"
Sony FE 24-70 (32mm) 830nm
f/8 1/200 ISO 200

"Wildflowers"
Sony 24-70 (25mm) 665nm
f/8 1/200 ISO 80
 
If you're wondering just how good the 70-200 lens is let me add this. "Dry Skin" is a 100% crop of an image handheld taken through the window of our truck with the engine running.   "Aspens" on the other hand is not cropped however it too was captured through the window of our truck with the engine running.  Both images are non-supported, handheld.
Stay tuned for more IR work and remember to click the link at the right for more information on LifePixel Infrared.
 
Don