Sometimes it's difficult to put a name to a blog post,
especially when we're sharing so much.
This post includes images from Sandy and her Sony A7r, the
full spectrum Sony A7r, as well as Don's Phase One DF and Cambo with a new
digital back; the 80 megapixel IQ180..
We went out for a couple days shortly after Don got his new
IQ180 from Capture Integration in order to get use to it. We visited Saguaro National Park in Tucson where the following images were
shot. While we're including images from both the IQ180 and Sony A7r they are not meant to be offered as any type of comparison in image quality.
The new IQ180 on the Phase One DF camera. The green in the image display is the focus mask at work. (taken with the Sony A7r):
This is the image that was captured above. The file was opened in Capture One Pro and
processed to this point.
Here's a shot of the Cambo WRS/IQ180 40HR on a Kirk Window
mount working as a ground pod. We had to use this pod due to the very close area we were shooting in. (taken with the Sony A7r)
This is the image captured from above.
Sandy did more than take pictures of medium format cameras in use; here is a shot taken from the same location in Saguaro
National Park.
Sony A7r FE24-70 (24mm) f/7.1 1/160 ISO 50. Processed first in C1-Pro then opened in
PS-CC and Nik Software.
There's an overpass in Marana AZ where the I-10 passes over a set of
railroad tracks that Sandy spotted on our way
home from the Saguaro
National Park. We returned the following day to capture it.
Sony A7r FE 24-70 (24mm) handheld, no crop f/4 1/200 ISO 50.
Sony A7r FE16-35 (34mm) handheld, no crop full spectrum
with a 590nm filter attached to the lens. f/10 1/640 ISO 400
Cambo WRS/IQ180 1/180 ISO 35
The processing on all three of the above images was done in
C1-Pro 8.02. The two handheld shots were
straighten and converted to black & white using adjustments found in
C1. The 590nm file also received a
little help with the custom white balance in C1. The file shot with the IQ180
was also opened and processed in C1Pro where it was processed in black and
white using a custom adjustment.
And some close-ups..
The hummingbird surprised Sandy as she was out shooting.
Sony A7r FE24-70 (70mm) f/6.3 1/200 ISO 50. Handheld shot cropped in to better show the
little bird. While it was first opened
in C1 Pro and processed, it was also sent to PS-CC where using the Anti Shake
filter added clarity.
Non-crop file, Sony A7r FE 24-70 (70mm) shot on monopod f/5
1/200 ISO 50
Cropped image from above.
This shows the effect of shooting on a monopod as well as using the
anti-shake filter in PS-CC. Also helps
to be shooting with a 36-megapixel camera...
Sometime a slip of the trigger can produce a pleasing image.
Sony A7r 4.5 1/100 ISO 50
Phase One DF/IQ180 150mm lens at f2.8 1/600 ISO 35 shot on
tripod (not cropped). Don was trying to
capture a bee however it stayed on the other side of the bottle brush. Maybe better luck next time.
Close up of cotton alongside the road in Marana. Sony A7r FE24-70 (70mm) f/4 1/200 ISO 50
handheld non cropped.
Observations...
Phase One recently updated Capture One (we use C1-Pro) to
8.0.2. C1 isn't the easiest processing software
to learn however once you have the basics it does get easier. Don has used Photoshop since shortly after it was
released and is more at home than in C1. Actually we hadn't begun using C1 until a
couple years ago after it was more user-friendly with 64-bit. C1 8.0 was released a couple months ago
adding several new improvements; among them better support for Sony. One of the improvements we like the most is
the new Film Grain tool which is found in the black & white images
above.
While we continue to be more comfortable in Photoshop we
also recommend giving Capture One a try.
There are a number of videos on YouTube that are
offered by Phase One that will help in learning the software. Give it a try whether or not you use medium
format or Sony. What we've found is the
new black & white adjustments rival that of Nik software.
And now to our new digital back.
Don began shooting digital medium format in 2007 with a 30.6
megapixel Phase One P30+ which had a crop of 1.3. Sadly, that back was unsuited for working
with a technical camera and was replaced with a 39 megapixel P45+ that had a
crop of 1.1. The P45+ with a crop factor
of 1.1 was at the time the closest to "full-frame" medium format
there was. The P45+ served well on the Cambo WRS technical camera for quite
awhile. Mid 2008 Phase One introduced a
full-frame 60 megapixel P65+. It wasn't until May 2011 that we upgraded to the
P65+ and discovered the joys of 60 megapixel full frame shooting.
Cameras, much like computers have a very short
lifespan. By that we mean that just as
soon as a camera is introduced, within a year or two another one will show
up. Prime example -- what's going on
currently with the Sony A7 series; first it was just the A7 and A7r which was
quickly followed by the A7s and now the A7 MKII.
All four of the Sony A7 line has been introduced within a span of
12-months.
The beginning of 2011 was when Phase One dropped a bombshell
with the introduction of the IQ series.
You had a choice of 40-megapixel IQ140, 60-megapixel IQ160 and the
80-megapixel IQ180. Much larger touch
screen, live view, focus mask, onboard level, firewire 800 and after several
long months, a working USB3 port. The
screen is 3.2 inch retina type multi touch with 1.15 megapixel resolution. And I almost forgot to add the ability that
with one tap on the screen you can bring the file into 100% resolution to check
focus. Simply put, while this is a
kickass digital back to be used on a 645-dslr camera body it was heaven sent
for use on a technical camera. So how long did it take Don to upgrade? Slightly longer than you might think.
Don upgraded to the IQ160 in early 2013.
The features offered by the IQ was too much not to upgrade
to especially when you consider how well it interfaces with a technical
camera. So why not jump to the
IQ180? Simple, we got a great deal on a
slightly used IQ160 that had been used by a friend of ours. But that isn't the end.
A couple weeks ago we were offered a deal on an IQ 180 which
is the digital back Don has lusted for since it was introduced in 2011. The IQ160 has a low ISO of 50 while the IQ180
shoots at 35. For a landscape
photographer the lower the ISO the better.
Added to this is the extra 20-megapixels and slightly longer
exposure. Don is indeed a very happy
camper.
We wrote recently of our camera dealer, CaptureIntegration. Once again we strongly
recommend Capture Integration as a place to contact if you are looking for
camera equipment whether it be medium format or 35mm, new, used or rental. Contact them, you won't be sorry.
And speaking of sorry, this is one of our longer posts
however we wanted to catch everyone up with what's been going on with Iron
Creek Photography. We have a trip
planned in the near future to visit Moab UT and the South Rim Grand Canyon
before the end of the year. Since we
aren't certain if there's going to be another post before the end of the year
we want to wish everyone Happy Holidays and a safe New Year.
Sandy & Don
