f/11 Bulb ISO 400
3-red drops (November 2018)
f/16 Bulb ISO 400
3-red drops falling into milk (November 2018)
This is part 4 of our “Splash Art Photography with a
Fujifilm GFX 50s”
We’ve done a lot of “wet photography” since our last blog on
the subject (August 2018). The more we
shoot the more we learn and with that we hope to pass it on. We've included several samples of what we've been able to accomplish.
f/32 Bulb ISO 1000
3-green drops into clear water (December 2018)
f/10 Bulb ISO 400
2-orange drops into a dirty bowl (August 2018)
We began shooting drops using a large plastic container and
since then we find ourselves using smaller and smaller containers. While the size of
the well has changed the one constant is the use of cold water. We’ve found that no matter the device we use
to capture the drop the container works best if chilled. We've also learned that we need to have the container clean which means several changes of water during the process.
f/11 Bulb ISO 400
3-red and blue drops (September 2018)
f/11 Bulb ISO 250
2-red and blue drops (September 2018)
f/11 Bulb ISO 400
3-red and blue drops (September 2018)
We’ve learned that environmental aspects of where we’re
shooting have a large impact. We set our wet studio in our garage and while
it’s insulated it nevertheless has no HVAC. Temperature and humidity play a key
roll in how well our shots turn out as no two days are the same. We’ve found
that a stopping for a couple of hours can effect the outcome.
f/32 Bulb ISO 1000
3-blue drops (October 2018)
f/11 Bulb ISO 100
clear water dropping into milk (September 2018)
While the above is true the water solution of the drop is
critical. We attempt to create as near as possible the same solution of Xanthan Gum
each time. A mixture of warm water and Xanthan stirred and left overnight works
well, straining the mixture before using. The food coloring is
the least of the concerns and we’ve found adding a small amount of 2% milk will
enhance the color before topping off with cold water. I can’t give a precise ratio
however a little of the gum, food coloring, and milk go a long way. This is
where you get to experiment.
f/16 Bulb ISO 400
3-red drops (November 2018)
f/10 Bulb ISO 400
3-red and blue drops (August 2018)
We’ve been using a Cognisys Stopshot Studio connected to a
Microsoft Surface Book II. This has worked very well for us. We’ve settled on
using 2-3 flashes depending on the effect we’re looking for. We also use
multiple backdrops ranging from glass to paper again depending on what we’re
after. We have also been experimenting using various surfaces to place the container
on which also depends on which object we’re using.
f/8 Bulb ISO 800
3-black drops (January 2019)
Camera setup is the simplest. We’ve been ranging from a
tripod on the floor to a tabletop tripod and in some cases a Platapod®. We mount
the camera in portrait mode both on and off a ballhead and focus rail. The
camera is the same; a Fujifilm GFX 50s as is the lens, a Fujifilm GF120mm
micro. I’ve shot using just the lens as well as adding both the 45 WR and 18 WR
macro extension tubes. I have experimented using both tubes and found while it
worked I was just too close. (In re-reading this I see I failed to mention
using a wired shutter release which I do and feel mandatory.)
f/11 Bulb ISO 400
3-yellow and blue drops (September 2018)
We’ve been doing this often enough that setup is getting
routine now. I’ll make the gum the night before. The table setup is fast and
easy with the most difficult part now being choosing which colors to use.
f/32 Bulb ISO 1000
3-drops (December 2018)
f/16 Bulb ISO 500
3-clear drops into ice tea (January 2019)
f/9 Bulb ISO 400
3-orange drops (January 2019)
f/9 Bulb ISO 400
3-orange drops (January 2019)
Post processing is a key element to the images and using
Capture One-12 has been a huge help. I now do well over 70% of post processing
in C1-12 before sending the file to Photoshop. If you haven’t used Capture One
before I suggest looking into it.
f/11 Bulb ISO 400
3-orange drops (January 2019)
f/11 Bulb ISO 400
3-orange drops (January 2019)
One final thought is don’t get discouraged. We’ve had
countless times when we felt we weren’t capturing anything worthwhile however
we resisted the urge to quit and reformat the drive. Not reformatting the drive
was the smartest thing we ever did after spending time reviewing the files on
our computer screen. We’ve shot anywhere from 1 to 3 hours at a time and well
over 500 files on the card. We’ve gotten to the point that we only keep the
exceptional images.
I hope this helps answer any questions that might still be
lingering.